Monday, November 9, 2009

And It Only Took 130 Episodes, 4 Specials, and a Movie- Avaitor Says Goodbye to Ed, Edd, n' Eddy







My childhood is over. It took 19 years for it to happen, but it’s time to let my carefree years of youth go past me and prepare for the “joys” of adulthood. I just watched the last adventure of Ed, Edd, n’ Eddy, the cartoon which I invested more time in than any as a child and still kept up with through it’s decade-long run on Cartoon Network.

It’s funny and kind of sad to think about it, really. I never got to spend too much time with my mother as a kid, never liked my sister, and while I’ve had my fair share of friends, they seemed to of came and went throughout my life, with a few notable exceptions. It was the continuing adventures of the Ed boys, three best friends who shared the same name and passion for jawbreakers, and a good deal of other animated series that would keep me company when I couldn’t be or just didn’t want to deal with people. While a lot of the series I loved either ended too soon, like Sheep in the Big City or Invader ZIM, turned to crap in the long run, like Dexter’s Laboratory or The Powerpuff Girls, or would just come and go due to having already finished runs, like Rocky & Bullwinkle and Yu Yu Hakusho, I still had Ed, Edd, n’ Eddy to rely on to keep me entertained from age 8 to 19, with even the series I kept up with as I got older taking a step down towards it. I still enjoy all of these shows, but in the long run the only three animated series I’ve found to impress me as much as the Ed’s have would be Batman: The Animated Series, Gargoyles, and King of the Hill, which also just recently ended a massive run of it‘s own.

Still I was rewarded for my patience as a kid. The moment I saw the debut promo for it in 1998 around the time The Powerpuff Girls was set to air on CN, and saw who I’d soon to grow to love as Ed, Eddy, and Double D, run around the screen for a minute with their multi-colored tongues sticking out in the air, I could tell already that I’d love this show, and couldn’t wait for January 1999 to come. The vibrant colors used in not just their tongues but in the character’s themselves, and how detailed their movements are as they race each other were like an orgasm for my 7 or 8-year-old eyes. Granted I had no idea what an orgasm was at that age but I knew I needed more of it.

I also remember the night it aired, on a Monday, before Cartoon Network had the absolutely brilliant idea to air all of their original series together on Fridays to broadcast new episodes. I got giddy waiting for CN to air the first episode of this new show. Powerpuff didn’t disappoint two months earlier and with Cow & Chicken and Johnny Bravo still airing new episodes, I had a feeling that CN could do no wrong. The whistled-and-jazz tinged intro which has now become as integral a part of my subconscious as my mother’s voice or the soft coating of my dog’s fur, arrived on the television screen, and I was instantly introduced to three characters I’d recognize for the rest of my life as kids of my own; Ed, the lovable oaf who’s with his pals every step of way, just waving and smiling to the television screen; Edd, or Double D, or Edward, the intelligent perfectionist whose verbal and grammatical corrections and OCD tendencies ring true to me this day, fixing the intro screen to a T; and Eddy, the man with the plan, the “brains” of the operation, if you will, standing in front of the intro, gazing at his bad self.

Only a simple open, but in thirty seconds we get to learn just about enough of the characters that we needed to

As for the rest of the episode, I remember the first of two shorts involving the Ed boys interrogating the neighborhood kids after a small percentage of the kid‘s materials were stolen, and the second introduced the Ed‘s to the Kanker sisters, a trio of horny girls whose goal was simple throughout the show‘s run: to make the Ed‘s their boyfriends if it kills any of them in the process. I later learned that these were far from the best the show would have to offer, but were still great introductions, as they introduced the basic themes of the show, and got a grasp of why I wanted to stick around for so long. The Ed’s want money for jawbreakers and will go to great heights to earn a few quarters, but what they really want is to fit in with the rest of the kids in the cul-de-sac.

Most people remember the show as a group of kids with the same name making a bunch of scams to get cash for jawbreakers, but watching some of the earlier episodes again, it looks as if the Ed’s just want to be accepted by the “cool” kids, which doesn’t seem to happen. They get mocked constantly, aren’t invited to parties, and get pushed over for insignificant events. The only people who seem to accept them are the Kankers, whom not even the Ed’s don’t want to deal with, and occasionally Johnny 2x4 and Rolf, the other oddballs of the gang, but even they have given the boys their fair share of beatings. It seems that as the show goes along the Ed’s wanting to be accepted by people who treat them like crap is less of an issue and they’re more willing to go with the flow, but that the alienation still hurts them. Eddy especially takes the blow the hardest, as we can see how boldly he’ll fib to impress the guys and that he‘d basically lick Kevin‘s feet to be invited to his house.

The Ed boys have continued to entertain and develop throughout the course of the show. Ed is a naïve lummox; while his grasp of reality is virtually non-existent, he’s such a sweet and lovable character that his lack of common sense doesn’t subtract from his enjoyment as a character. If anything, the fact that he can barely speak a logical sentence only seems to add to his enjoyability as a character. He spews out illogical nonsense which he finds to be of great importance, and sometimes is able to save the day by saying nothing.

His love of science fiction is another notable feature. Some of the most memorably episodes of the series are “The Day the Ed Stood Still”, when Ed gets to enact his favorite monsters and scares the neighborhood kids into thinking he’s become the real thing, and even traps them all in his room, “It Came From Outer Ed“, in which Ed makes up what he finds to be the ideal scam, but only turns out to be an arbitrary calling for a curse, and “Knock, Knock, Who‘s Ed”, when the boys just try to find an adequate TV to watch Ed’s monster movie marathon. The big guy steals the show from his friends by just being Ed and stating how his lasagna hurts, that he forgot to wear underwear today, or just whatever comes through his mind.

Possibly his greatest episode though is “Little Ed Blue”, when the big guy trades his sunny disposition with a grunter, rougher attitude. Considering how big he is, that he isn’t in a good mood is a very bad thing, as it could very well mean the end for everyone around. The episode works so well because of Ed’s strong, random delivery. He sounds angry when he says “BIG TROUBLE”, but his voice actor and director is obviously having fun messing with his character’s status quo, and let him add his own twists to an angry big guy. Never mind the ending that would only come from a show as well-timed as Ed, Edd, n’ Eddy, the entire episode is comedy gold.

Double D is the typical brain of the group, but he’s proven to be more than just that. He’s a perfectionist through and through, fixing minor errors to seem as tight as possible in his ideal world. He’s also a major clean freak, polishing anything with moderate dust or stains on it, and prevents germs from entering the area he‘s in. And don’t even speak out of line, or he’ll throw a dictionary or thesaurus at you. His little quirks bring out the best and worst in him, which is why he finds good friends in Ed and Eddy but the rest of the kids don’t seem to get him.

His shining moments tend to have his pretentious little butt kicked, like how he tries to teach the cul-de-sac than acorns grow to trees in “Dim Lit Ed”, attempts to teach Ed and Eddy proper behavior in the appropriately titled “My Fair Ed”, and deals with becoming the local bully in the classic “final” episode “A Fistful of Ed”, where a series of misconceptions have the others fear him Double D’s sincerity in friendship and equality make the pain he endures in these episodes all the more unbearable to deal with, but at the same time rewarding as his inspired intellect gives him the notion to try to set everything straight. On rare occasions he’ll snap due to the pressures Ed and Eddy put on him but he’s always back to help his friends when they need it, which is why the writers come back to him.

And we have Eddy. Probably the most controversial character on the show, some people seem to not be able to deal with him because of how heartless he seems to be with his friends, but to me it seems that while he’ll ditch Ed and Double D when he can gain in particular, he acknowledges that they are the best friends he’ll ever have and losing them would be the worst thing he could ever do. He’s saved or at least repaid his friends back nearly enough time to justify the stuff he’s pulled on them.

Eddy’s lack of respect also seems to be a key factor in his erratic attitude. While we never get to meet his parents in the show it seems apparent that they never seemed to keep a close enough eye on him and cared more for his older brother, who treated him as the baby and nothing more. The after effect that would of taken place would have been enough for Eddy to not know how to at in front of people which would explain his tendencies to freak out in big crowds and push others aside for his wants.

Together the Ed’s make an unlikely and necessary trio, and one of the strongest groups of friends to be put together in entertainment in a long time. Without Ed, the two lose their brawn and heart, and without Double D and Eddy, Ed loses the closest things to guidance that he has in this world. Without Edd, the two lose their brain and resources, but without Ed and Eddy Double D would have no companions but his demanding parents. Without Eddy, the two lose their free time plans, but Eddy would never admit this to them, because he cares about Ed and Double D too much to reveal it to them. And together, you have three halves of a whole person working together to cure the never-ending epidemics of boredom, isolation, hunger, and poverty, and continue to entertain many.

And I can’t even begin to sing the praises of the show without mentioning the excellent supporting characters. You have Kevin, the no-nonsense “cool” guy who Eddy looks up to for some reason. He’s tough but also has proven to be as lame as the Ed’s are perceived to be, particularly with how much he cares for his bike. Then there’s Rolf, the weird foreign kid who no one can make any sense out of. He involves his farm animals in everything he does, and will spew out illogical stories of what it was like back in the old village. Or Nazz, the cute girl who everyone gravitates toward to without even knowing why. We do know that she loves it, though, which is where part of the humor in the boy’s flirtation comes from.

We also have Ed’s baby sister, Sarah, who wears the pants in the family tree. She keeps Ed in charge and to make things even more challenging and entertaining, has a major crush on Double D and will retreat back to little girl tendencies in front of him. And then there’s her best friend Jimmy, the fruity little boy who loves Sarah and gets jealous whenever anyone steals her attention from him. He’s proven on enough occasions that he doesn’t just take things sitting down, so trying to guess what’s going on in his head is only part of the show’s fun.

Then we have Johnny and Plank, the all-time great duo. Johnny confides in his little block of wood everything and expects the world to accept the advise Plank gives back as seriously as he does. This subtle bit of humor once again is a great example of the many ways Ed, Edd, n’ Eddy dares to make you laugh.

The characters are all allegorical to common feelings and belongings we go throw during adolescence or just growing up in general, which is why the show has stuck to me for so long. I see the OCD in Double D reflecting my own issues, Eddy’s social issues being somewhat similar to mine, feeling jealous like Jimmy every now and then, and have felt like Rolf a handful of times as I go through new and exciting experiences like a new neighborhood or school. In hindsight, I’d say it would be hard for someone to not relate to at least one characteristic of any of the kids in this show.

In addition to the great characters the animation is a major turn on in the show. Danny Antonucci, the show’s creator, has obviously been influenced by the cartoons of Warner, MGM, and Fleischer, and the varied forms of movement and settings make it apparent. Nearly every cell of animation has some sort of attention to detail in it that is missing in most cartoons today. The coloring is another major turn-on, and the jump from hand-painted to computer colored in the last season only adds to the beauty of Antonucci’s creations. The characters themselves look not ugly in their pseudo-squiggle vision designs, but rather lovably obtuse, as they look as questionable as any kid would look at their peers, as is Antonucci’s vision.

If I had to pick an all-time favorite episode, I’d go crazy trying to do so. “The Good Ole Ed” and “Every Which Way But Ed” are hilarious send-offs to corny clip show episodes, calling off events that may of very well never happened, each in different and creative ways that make both episodes stand out on their own. “Once Upon an Ed” is a perennial favorite, the Rashomon story told in only a way the Ed’s could, with each one defying the laws of proper storytelling. I’d also have to give my props to “Mirror Mirror on the Ed” in which the Ed’s switch characters to go through each other’s shoes, and only mess each other’s worlds up in the process.

Or I could just go with the movie which I was supposed to review, but instead wrote up a list of why I love the show. To spare the amount of text you’d have to read I’ll say purely that basically everything I wrote about the show before hand is present in this movie.. The ending will make fans feel triumphant and that the two-year + wait for this movie didn’t feel wasted.

What I’m coming up to is that I’ve watched Ed, Edd, n’ Eddy since the beginning, when the show was a simple show about how a group of kids spent their summer time to an excellent film that let’s the Ed’s have their day. I’ve seen the animation develop from something out of Dr. Katz to quality even Disney would be jealous of. Seeing Ed, Edd, n’ Eddy’s final days makes me feel nostalgic for the days that it was on for me to feel like I wasn’t alone. It may only be a cartoon but this cartoon has been a part of my life for a good part of it and seeing it go will always leave an impression on me that I doubt any other series end would have.

Earlier I mentioned that Ed, Edd, n’ Eddy is on par for Batman: The Animated Series, which at it’s absolute best proved to be better written than any adult-aimed drama on the air and set the standard for how the modern action cartoon should look and be treated as, Gargoyles, which gave action cartoons an added depth by connecting everything into a cohesive and genius story together, and King of the Hill, which similarly gave us a great cast of characters and set them off to have their own revelations and misgivings for a record run. How the Ed’s will compete with these three will remain to be seen but I can tell that even twenty, thirty years on I can remember these four animated series as shows that I can enjoy at any time and find only more reasons to love as I get older.

Let’s get cracking on the complete series set already, CN. Then maybe I can take out the Legos and revel at the joys of buttered toast and gravy again.

Avaitor out

Saturday, August 15, 2009

Bakemonogatari: Face, Limb and Torso Value

I’ve never really gotten that into the harem subgenre of anime, since honestly, I’ve never been that interested in it. If anything, I thought it to be one of the least original genre out there. I mean, you’ve got you’re one male lead and he’s continually surrounded by no one else but females for no apparent reason. I mean at least with an action series or a thriller, there’s some kind of logic behind everything. For a harem series, just what could you possibly get other than what’s at face value?

Enter Bakemonogatari: Ghostory



Based off a light novel series of the same name (they tend to be doing a lot of these “light novel to anime” releases, nowadays, huh?) Bakemonogatari centers on completely normal “emo” high-schooler Araragi. Er, that is, “normal” until you find out he’s just recovering from a vampire attack a while back.
Now, I’m sorry, but I’ve got to stop right there. Let me first apologize for using the term “emo.” Yeah, I know it originated underground with music and it’s now been appropriated and bastardized into the term all wannabe-misunderstood twelve-year-olds use today, but I just can’t seem to find any other word appropriate enough to describe my first impressions of this guy. I mean, not only do we see little to no lively interaction between him and the other characters, but



... just lookit him! It’s looks like that that just scream for the term to be used, no matter how much I hate using it. Furthermore, it looks like we’re delving into the vampire sub-genre. Now, not to hate on the originals like Dracula (and I guess Count Chocula and Sesame Street’s Count, too) but whenever I go to the bookstore and look through the manga titles available, whenever I see anything related to vampires, it always ends up being some kind of bland-looking teen drama about some hyperactive female lead and some dark, “misunderstood” male lead. So, watching the first episode of this series only to come across these two things, I was surprised I didn’t stop watching right there.

Part of the reason why I actually continued through the series would have to be because for one, it’s the first episode. Also, (because “furthermore” just seemed a little predictable, I guess) Araragi mentions this random vampire attack like it was nothing more than a footnote in the corner of the screen. Sure, there are some references to him being bit later on, but they are never major enough to draw that much attention and don’t even relate to the plot (at least at the time being). From what I can tell, the only up-side to Araragi’s attack is the quick healing factor that came along with it, making things like injuries easy to deal with, serving as less than speed bumps (whatever that would be... a yield sign?) to the particular episode’s plot. Which reminds me...

Episodes are not exactly contained in a single 25 minute period, nor are they told over the course of the entire series. Rather, each story is contained in an arc, lasting around three or so episodes. Now what would these arcs be about, you asked to the rambling blogger? Well, that’s when the whole harem genre rears its ugly (okay, maybe somewhat attractive) head.



Each arc basically has Araragi encounter some attractive girl who happens to have some kind of “condition” in that they’re cursed or haunted—you know, supernatural kind of stuff that makes up the “ghost” portion of “Ghostory.” Again, I’ll admit this seems like the most superficial of things, but each girl does end up serving some kind of purpose other than well... looking good. And just how would our protagonist end up helping these fine-on-the-eye girls? Enter the second reason why I continue to keep up with the series.

To try and help each girl with their problem, Araragi doesn’t summon some kind of crazy-deus-ex-machina vampire powers to punch the demon out of them or smooth talk his way to their hearts only to kill them when they’re most vulnerable; What Araragi does to help each girl is to simply talk to them, which is something that is very much underappreciated in well made shows in general these days. Most episodes are made up of conversations about nothing in particular. Perhaps one second, the topic is story structure and the next is stuttering. This may not seem like all that big of a deal, but when it comes down to it, an anime can come up with some of the most bizarre things out there, but in the end it won’t matter at all unless the show makes me care to continue on and accept all this bull to begin with. That’s where Bakemonogatari shines.



What first comes off as one of the shallowest anime to date redeems itself with some of the most interesting lines of dialogue I’ve ever heard (er, I guess read via subtitles). Combine this with the ability to seamlessly incorporate character backstories as well as your occasional jab at similar (but really, not) anime out there and you’ve got quite the smart show on your hands.

But dialogue, as witty as it can get, can only go so far in the realm of television, where actions speak louder than words. The third reason why I continue with this series: imagery overload. For the sake of everyone’s sanity, Bakemonogatari doesn’t take on the “talking heads” approach when it comes to conversations. Rather, artsy little slideshows are had, depicting the conversation as it’s held. Now, doing this every time a character speaks would just be overkill (not to mention obnoxious), so the episodes take a 50/50 sort of approach, animating around half the episode normally and the other half like it was done by someone on deviantart. It makes for a nice change of pace, I guess.



As of this blog posting, Bakemonogatari is currently six episodes in, and while the story can be hard to get into from the first episode alone, I really recommend this series. It’s like watching pop art... but animated and with good writing, t’boot.

Sunday, July 12, 2009

Warhol, Hertzfeldt and the Endless Eight

... okay, maybe it wasn’t exactly the best time to give such early praise to Haruhi Suzumiya’s second season. As of late, we have been given a total of five new episodes, though I am currently wishing I only saw three of them. The season starts of strongly enough, with Bamboo Leaf Rhapsody, which does of a good job of re-introducing the cast after a three year hiatus, but after that, things get a bit... meh.

Enter the Endless Eight.



So far, the corresponding chapter in the Haruhi Suzumiya novel (yeah, note the lack of a “graphic” preceding that) under the same title has been spanning for four episodes. It starts off innocently enough, with the first episode covering an oddly tame two weeks in the life of the SOS Brigade. However, when I noticed the following episode repeating the same events in the first half, I knew something was up; Haruhi is not the type of anime to stretch things out for the sake of not getting ahead of their source material. Or at least that’s what I thought.

The third episode, sharing the Endless Eight title rolls along, and I’m under the impression that this little arc is about to come to a close. Little do I realize just how literally the “endless” in “endless eight” will be taken. So far, we have been presented with three out of four Endless Eight episodes that are near exact duplicates of each other. The second Endless Eight is able to pull off a rather creepy reveal as well as a good amount of fan service, while the third and fourth ones serve as nothing more but to show just how “endless” the brigade’s summer has been.

So here we are with five new episodes, two repeat-offender episodes, a total of 15,513 summer reincarnations, and one irate blogger with absolutely zero else to do. But wait, contrary to popular belief, there must be some sort of reason behind all this madness, right?



Upon seeing that the third Endless Eight had merely copied the previous episode almost verbatim, I concluded that the guys at ol’ Kyoto Animation must be taking a page out of some artsy indie animators and risking losing their fanbase just for the sake of making a point. Just look at pop artist Andy Warhol: as well-known as he is, half the things he’s known for come off as rather... eccentric. I mean, filming a group of people standing still for hours on end? Painting everyday objects and passing them off as legit works of art? That’s something. You either have to seriously be on something, or trying to make a point in order to be ballsy enough to even think of pulling off things like that. Surely Kyoto Animation must be at least one of those, right?


While I’m on the topic, I’d like to take this moment to take a slight delve into the realm of what I like to call “artsy” animation. You know the type. One of those animated films that you’d sit through only to reach the end of it thinking “Wow, that was probably the crappiest things I’ve spent my money on, but I’m sure artsy posers are gonna call it a work of art, so I’m just gonna roll with that for the time being.” Case in point: Don Hertzfeldt’s Everything Will Be OK. Hertzfeldt is already known on something of an “indie” level, having been established with his previous depressing works (he doesn’t call his studio “Bitter Films” for nothing, I guess), so one could assume that he has reached the point in his career that he can release anything and receive an award for it. Though, on another level, I could completely disagree with everything I just said. Hertzfeldt’s works have a gritty charm with an overall veil of commentary about depression in life in each of his works, no matter how ridiculous or pompous they may come off as. Heck, I’ll even go as far as direct you to his main page and suggest picking up his DVD collecting a good number of his works (with exception to his latest short).

Attempting to bring things closer to topic, could Kyoto Animation, the guys with one successful Haruhi season already under their belt, be daring enough to take such an artsy route? Well, these are the same guys who originally released the first season out of order intentionally as well as chose to animate random chapters from later Haruhi novels for the first season, so... sure? Like a handful of other fans, I remain confident with this animation crew and hope that this seemingly “endless” summer will finally come to a close by next week’s episode. Either way, I got impatient and hunted down a translated version of the corresponding light novel chapter, so all is well in that sense.

Wednesday, July 1, 2009

Feelin' Far from Melancholy

When I was younger, I used to be obsessed with the Power Rangers, a show which until recently I was completely unaware was based on the Japanese Super Sentai series. As I grew older, and as American companies adjusted their tastes to even more Japanese shows, I ended up picking up on shows like Pokemon and Sailor Moon, both which played back to back on the WB at the time. As anime began to take over the minds of the kiddies everywhere, Toonami decided to get into the mix of things as well. And while I missed out on the Freeza and Cell Sagas the first time through, I tuned in just in time to catch a majority of the Boo Saga (you know, the parts actually pertaining to the plot). It is now 2009 and anime has become just as integral a part of our US pop culture as any other genre of TV. I am a hardcore Dragon Ball fan and admit to keeping up with the Naruto and Bleach manga. But all the while, as I transitioned from mind-numbing epic battle to mind-numbing epic battle, was I missing out on something else entirely?

The week of finals, me and a couple of the neighbors were being introduced to some anime my roomie had. His collection consisted of the occasional Miyazaki film, as well as some mainstream anime series and some that I could barely pronounce, less watch without flinching. It eventually reached the point where I would just sit at my desk typing away on the laptop at something or other while the rest of the gang would watch in whatever new drivel the roomie had to offer (shark punching was involved..?). Anyway, the roomie decides to introduce us to yet another series, as per the request of our neighbor, who was something of a fan of it. The title was quite the mouthful, whether you went by the English translation or original Japanese version and the title is far from an accurate representation of what I was about to watch.

Title: The Melancholy of Haruhi Suzumiya


Before even popping the disc in, the roomie and neighbor went through a short dispute as to which order they should be playing the episodes. Woah, an anime series that has no particular order? That was news to me. We started off with “episode 00” in which I was fooled for a good ten or so minutes before picking up that the episode was being told through the crappy filming skills of one of the characters. Assuming that this would only be done for the first episode, I thought it was quite the interesting move. And no JJ Abrams in sight, to boot!

Eager for more (or at least I was) we ended up watching the following two episodes. The plot seemed basic enough: High-schooler Kyon begins his freshman year (or whatever equivalent that is in Japan) wanting nothing but an ordinary life. Unlike his classmates that want to use the new year to start fresh, Kyon just wants... well, that’s just the thing—he doesn’t want anything. Enter Haruhi Suzumiya, the class eccentric/cutie whose introduction to the class is more of an announcement telling everyone that if they are an alien, time-traveler, or ESPer, that they should contact her ASAP. Regardless of their conflicting personalities, the two gravitate to each other eventually, playing off each other in an Odd Couple sort of way. Or maybe it’s more of a Dharma and Greg sort of way... or So Little Time sort of way. Heck, considering the amount of narration, I could even go as far as comparing it to The Wonder Years. See, with Kyon playing the straight man and Haruhi the loose cannon cop chic that doesn’t play by the rules, viewers are bound to do a little shipping, anticipating the two getting together at least by the final episode. I can neither confirm nor deny this, for the uninitiated.

After finals and moving out, I was bored one day and hunted down the rest of the episodes, marathoning through the remaining 11 episodes in one day. Woah, was the series that good? Yes, yes it was.


Although the series is clearly an anime, it does not make a clear distinction as to whether it is aimed primarily at guys (shounen) or girls (shoujo). It’s not exactly an action series with there being only two (maybe three, if you really want) episodes where a full-on action sequence defined the episode. But on the other hand, the romance factor was at a minimum if even that much. Even the more fantasy elements of the series can’t truly define the series as a whole. Just what kind of series is Haruhi.

Wanting to learn more and figuring it’s about time I had a new obsession, I did a quick Wikipedia search on the series. Skimming through the guides, it looks like it had quite the respectable release, even in the states. Not only have the episodes been released dubbed with an accurate translation as well as subbed, but the DVDs have been released multiple times. Half that time, there were these “special edition” type releases packed to the brim with nice promo art as well as a CD from the series.


Geez.

Furthermore, it looks like the states have been treating the property itself rather well, keeping up with the Japanese releases and releasing most of the CDs here. I know I remember seeing the series before.


Combine that with the crapton of Euro mixes and dance tributes out there in the vast YouTube-verse and you can pretty much base your fandom on the series’ music alone.

Finding out the anime has existed for three plus years already, I was rather surprised that I didn’t pick up the series sooner. Then again, three years ago, I’m pretty sure I was engulfed during the peak of the Naruto and Bleach storylines. Figures.

And to further distance myself from my shounen comfort space, it turns out the anime was based on a manga, which was in turn (get this) based on a novel. Wanting to learn absolutely everything I could about the series, I hunted down the light novels, finding that the anime episodes directly correspond with a novel chapter under the exact same name. Furthermore, reading through some of the chapters, it looks like the anime stays very faithful in terms of the plot. Sure, you get anal people saying Haruhi’s hair is supposed to be black, but whatever. In a world where seasons of filler exist, I think I can safely say that this is one of the better adaptations out there.

Alright, so I’ve got a 14 episode anime series along with a crapton of CDs not to mention some secondary sources in the form of the anime. Even considering that the series has ended, that should keep me busy during a bulk of my summer, right?


Well in complete Haruhi fashion, it turns out that I’m getting even more than I bargained for. As of late, the series has finally been picked up for a second season. The first season episodes are being re-aired in Japan in their intended chronological order, meshing the season 2 episodes in there accordingly. So far, there have been three new episodes and I am continuing to love every single bit of it!

Now, I think the question at hand now is whether I should spoil future anime episodes by hunting down the light novel translations. One can only wait so long!

Monday, June 1, 2009

Lost Love, Asian Boy Scouts and Balloons: DC Reviews Pixar's UP

Wh-whaaa? The ARevelation crew actually keeping up to date with their reviews? You're darn right we are!

For stupid legal reasons, I gotta say that this review was originally from my movietome.com review under the username petewrigley. Great, another place to stalk me...


While Pixar movies in general depict quite the environment filled with colors, hues and images you would only expect to see in a doctor’s office waiting room poster, “Up” really sets the standard. All Pixar movies preceding “Up” always dealt with the amazing or fantastic, either giving life to everyday things such as toys, bugs and cars or adding a certain twist to an already explored world, such as that of superheroes. While “Up” can be argued to fall into either category, at its core it is about nothing more than a man and a woman. Though it is completely understandable that things like the house being lifted by thousands of balloons was to distract you from such.

Without spoiling too much, “Up” takes a route definitely explored by children’s movies in the past (death) and taking it from a different perspective. We’ve seen how emotionally scarring it is to have a parent die, but what if that perspective was shifted from child to adult? Although I came into the movie knowing the exact details of its setup, main character Carl’s montage from his childhood to elderly years still brought a tear to my eye. Having such a powerful setup from the get-go of the movie definitely helps get you to relate to Carl pre-grumpy-old-man as well as helps viewers eliminate skepticism once we finally see the house lift off for the first time.

As we begin to wander into the realm of adventure, we are introduced to scout Russell and dog Dug. While Russell and Carl form for quite the duo, Dug just seems to be there for comic relief more than anything else. As the movie progresses, Russell and Carl’s personal storylines begin to intertwine, while Dug continues to just be there with a separate storyline with a loose connection to the other two only near the movie’s conclusion. Most of the dog-centric scenes seemed aimed especially at the younger viewers, but they helped move the plot along as well as gave more insight into the lurking villain, so I guess they’re not all that bad.

Just the idea of a house floating in the sky via balloons is so Pixar. By this film, you would expect them to begin running out of outlandish visuals to roll with, but thankfully that has yet to be the case. As expected, Pixar has again succeeded in taking such a ridiculous concept and creating a beautifully written story from it.

~~~

Well with all that said, here's a couple additional stuff I thought of uh... post-review-writing (would "addendum" fit?):

Being the obsessive fanboy I am, I just had to look up a few "Up" related things and give 'em an appropriate plug:

As always, the music is also such a major part of the series. Though upon finding that the composer for the movie was Michael Giacchino (of LOST fame as well as the latest Star Trek movie) I shouldn't be that surprised. The movie does the sort of thing where there's an overall "theme song" for the movie that changes in tone whenever the mood changes. In that sense, it reminds me of Pixar's short films that they'd always play before their feature movie.

Looking the soundtrack up, it seems like Disney's made the decision to go all digital with their music purchases. And while it's somewhat of a downer that we can't get any sort of tangible something, at least the songs are available. Go sample the soundtrack on amazon.

Another thing that really enthralled me was the art style. Sure, some may argue that Pixar's design process in terms of things like character designs and scenery has been a bit more "cookie cutter" as of late, I really think that at least it's not the case with this movie. Like I said before, I was constantly reminded of those cool posters at doctor's waiting rooms as I was watching the movie. Pixar just seems to go above and beyond when it comes to visuals that I think checking out the movie's accompanying art book is worth the $26 plus shipping on amazon.

So there you have it. This is usually when I come up with some kind of fancy ending sentence, but I've got class in 20 minutes and I've yet to have me some breakfast, so laters!

Thursday, March 26, 2009

Yeehaw! Rewind Review 1: Fievel Goes West

“Classic Review?” “Rewind Review?” Well, whatever title we decide on, just know that every now and then, we’ll be dusting off the ol’ delorean to go back in time and review some of the animated works from back in the day that stood out to us. So without further ado…

Instead of having bedtime stories told to me when I was younger, I was raised watching videos before going to bed. My video collection, while not as gigantic as my current DVD collection, was large enough to make up for at least a month’s worth of one hour viewing before bedtime. Looking back, the tapes were your basic lineup of what you would expect from your normal prepubescent kid, mainly being composed of Disney movies from as old school as the original “Fantasia” to the first “Toy Story.” Out of all those movies, though, only one of them stands out to me today:


Yep, that’s right. “Fievel Goes West.” I remember nights just staring at the TV thinking how awesome it would be to be Fievel with his pop pistols and his reversible hat and having to escape from clothed felines and a creepy as all heck spider with a gold tooth and cigar. The reversible hat, especially. Seriously, how awesome would it be to be able to switch from a normal hat to a cowboy hat just like that?


To this day, I’ve yet to see the first “American Tail” movie or any of the straight to home video releases following the sequel and I don’t really feel the need to. Unlike other movies and their sequels, I never saw “Fievel Goes West” as part of a series of movies and always thought it stood well as a stand-alone.

Having been made during the “Tiny Toons” era of his career, it makes complete sense for producer Steven Spielberg to have made this sequel when he did. “Fievel Goes West” was incredibly similar to “Tiny Toons” in that while the overall plot may not be something to write home about, every musical piece in the movie was memorable.

The plot’s basic enough… er, at least as basic as a children’s movie made in the early nineties could be. Fievel Mousekewitz and the rest of his family are immigrant mice who have moved to New York in an attempt to escape the persecution of their “people” from the cats in the area. Realizing that life in the states is just as difficult as life back home, the family decides to move with the rest of the mice to the West where stories tell of mice and cats living together in peace. Or at least that’s the story given by the red top-hatted and monocled Cat R. Waul. Being separated from his parents and the rest of the mice on the trek West and finding out Waul’s evil plan of initially befriending the mice only to eat them later, Fievel must go West by himself and warn his fellow mice before it’s too late.

Wow, typing that up really put in perspective what I was talking about.

Okay, so the plot may not be Emmy winning gold, but that was never what defined the movie for me. What I really enjoyed about the movie, both then and now, was the music. In a time when Disney movies were absolutely pwning their competition, Fievel’s music is able to hold its own. Okay, sure, it was completely destroyed by “Beauty and the Beast” which was released in theaters the same day, in the box office, but that doesn’t mean its music doesn’t hold up just as well. Really.

Having recently watched the movie again after so many years was like listening to a song you haven’t heard in a while. Or I guess in this case, a couple songs you haven’t heard in a while. From “Dreams to Dream” to “The Girl You Left Behind” to everything in between, Fievel really delivers when it comes to being a musical. I mean, just listen to this:



That is pure nineties music awesome, right there. And when you get down to the roots of it, that’s really how I’d describe the movie as a whole.

So while it may not have the most ingenious of plots, “An American Tale: Fievel Goes West” really stands out in being one of the few animated movies at the time to even dare stand up to the Leviathan that was Disney movies during their golden age and succeed… even if it took a couple years to do so to build up the nostalgia factor.

~~~

… And on a completely random side note, what’s the deal with the movie’s aspect ratio? Checking both amazon and amazon.ca, the only version of the movie I’ve been able to find on DVD is only out in fullscreen. But based on the above video as well as some screencaps on the movie’s Wiki page, it looks like the movie was done in widescreen. Just to make sure, I double checked the Wiki screencaps with some I took from my copy of the movie:



So what’s the difference and why should you care? Well in short, the film was originally animated to fit the widescreen format and in some cases makes full use of that space. Having the image cut to fullscreen size means cutting off bits of the sides and maybe even contorting the image itself a bit, like what I figured had to be done with the first comparison image above. In short, watching fullscreen footage from something that was originally made in widescreen means messing with the original footage to some degree.

I’d rant on, but I’m straying further from the point. Just check out Wiki’s page on aspect ratio if you understood and are interested in anything I brought up just now. And (in an attempt to bring everything together) make an attempt to pick up “Fievel Goes West” in its widescreen version if you can, though that may be easier said than done considering I’ve yet to even find a listing for it in that format.

Weird.

Tuesday, March 3, 2009

The Divine Critique AKA The Adventures Of Foggle In Triple Review Land

THE DIVINE CRITIQUE
By Foggle

When I was playing Project Origin on a warm winter's day,
(Winter is warm in Texas, you see),
Avaitor told me to do some reviews. And then called me gay.

Pretty much how shit went down

I've got three reviews to do.
Let's get this party started.
I can rant and rave 'til my face turns blue.

BOOK 1: THE INFERNO
"RESIDENT EVIL: DEGENERATION"

Warning: Watching bad movies can be biohazardous to your health

I can't believe they messed this up.
It's actually canon and features no Mary Sues?
Where did they go wrong? Capcom, get fucked.

How can I sum up this abortion right quick?
It's lame, convoluted, and poorly written, but
Worst of all, the rendering and animation make me sick.

Occasionally the animation looks rather okay
But that serves only to make the normal parts worse
These people look as retarded as the zombies do gray.

The character modeling is pretty bad

It's rather disgusting, how atrocious it is.
But worst of all, is how boring it becomes.
Resident Evil? Boring? I thought Capcom knew their biz.

There are one or two action scenes in the entire movie.
And no horror in sight.
To be honest, very little of it actually involves zombies.

The zombie shooting action scenes are awesome; too bad they're few and far between

The film attempts character development
But it results in something quite laughable
These guys should learn that extra emo is a detriment.

Leon is more emo than ever

At least the voice acting is pretty good.
I can't say the same about the rest of the film.
Smash the DVD under the weight of your car's hood.

BOOK 2: PURGATORIO
"BLACK LAGOON THE SECOND BARRAGE DISCS 2&3"

I don't really have a witty or informative comment to put here, sorry

This show is the epitome
Of awesome, bad ass action.
But everything falters eventually.

Volume 2 is kind of a bore.
I showed it to my friend
And I could hear a snore.

Greenback Jane is really weak.
The "comedy" in this series is quite unfunny
It's just the hardcore action that I seek.

Fortunately, despite the rest being lame
Episode 18 features some awesome scenes.
And for that I'm most certainly game.

Volume 2 doesn't fare well over all, but episode 18 has its fair share of awesome moments

Volume 3 is a lot better
When the main characters go to Japan
In snowy weather.

Unfortunately, the new arc lacks
Dutch and Benny, who apparently
Just stay in Roanapur eating snacks.

Dutch and Benny are still awesome, but they aren't in these episodes nearly enough

The voice acting in English
Is amazing as usual. As is the Japanese track
Except when they speak Engrish.

It is at least worth watching, though,
If only to see the fight scene in the bowling alley
Which made my love for the series grow.

Revy learns how to wear proper clothing in Volume 3

BOOK 3: PARADISO
"WHEN THEY CRY (HIGURASHI NO NAKU KORO NI) DISCS 4-6"

Oh, you pedophile

Last time we left our hero,
Keiichi had just died for the third time.
Perhaps by the end it will reach the big one-zero.

On these discs, the violence gets more hardcore
Including a torture scene involving minors
And the bludgeoning of some whore.

Unfortunately, the budget shows.
And as you can plainly see,
Down the drain the animation quality goes.

When Walt Disney Cries

Is it cheesy?
Sometimes, certainly.
But liking it is really easy.

The characters are written very well.
Sometimes they might make you happy
Or you'll want to see them go to hell.

How uncharacteristically heartwarming

There are many plot twists here
And --ah hell, I'm tired of rhyming--
Someone please buy me a beer.

Fuck that shit, I can't do this anymore. These episodes are great. Really awesome, in fact. The Japanese voice acting doesn't decrease in quality over these discs (or in the case of the English dub, increase in quality), and still remains excellent.

Anyone else ever see that movie "The Midnight Meat Train?"

FOOTNOTES

Resident Evil: Degeneration
Story/Content: 3/10 (It's fucking boring, it tries to introduce a story but fails, there's almost no action and the horror that the series is known for is MIA)
Characters: 2/10 (Nearly every character has never been seen before in the series and are pointless/given no development, while Leon is more emo than usual; only Claire even has a shred of a personality, but she still ends up being more annoying than anything)
Art/Animation: 3/10 (Everyone looks like they're mentally retarded)
Voice Acting (English): 8/10 (Pretty good, actually)
Overall: 3/10 (and that's being generous; seriously, don't watch it)

Black Lagoon The Second Barrage Discs 2&3
Episodes/Content: 7.5/10 (Disc 2 is VERY weak, though Disc 3 has some of the best episodes of the series)
Characters: 8/10 (They're easy to like, and they finally get a bit of development, but they're still nothing too special; Dutch and Benny, sadly, have very little screen time)
Art/Animation: 9/10 (Everything looks great and moves fluidly)
Voice Acting (English): 8.5/10 (They could have picked better voices for Revy/Rock/Yukio, but everyone else sounds very good)
Voice Acting (Japanese): 6/10 (The voices sound good, but the Engrish makes it almost painful to sit through at times)
Overall: 8/10 (while disc 2 isn't bad by any measure, it's in a completely different league (of the 20,000 under the sea variety) from the other five we've seen so far; Disc 3 is magnificent and definitely worth purchasing for action fans)

When They Cry (Higurashi no Naku Koro ni) Discs 4-6
Episodes/Content: 9/10 (awesome plot twists galore and you might just cry some manly tears by the time it's over)
Characters: 10/10 (with just the first season finished, I can safely say that the series is deserving of this score; everyone is developed and unique feeling, as well as being (usually) likable and well written)
Art/Animation: 6/10 (while I'm rather fond of the art style, no one can watch episode 19 and honestly tell me that the animation is good)
Voice Acting (English): 2/10 (it's still complete shit)
Voice Acting (Japanese): 9/10 (it's still close to perfect)
Overall: 9.5/10 (if you were turned off by the first half of the season, then this isn't for you, but if you're a fan, like me, you'll find tons to love here)

Tune in next time for my review of the fanservice-fest that is Higurashi no Naku Koro ni Rei episode 1! Wait, sorry, did I say "fanservice?" I meant "manservice." Are you ready to see Keiichi naked? I know I am (not).